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At first they both fall in love, but as the prophets of Jacob’s earlier brutality come home to them both, everything is torn apart in wrath and anger. He heads off to cleanse himself in the bloods of war, but when he’s battling across England he meets Christopher Ferris, who’s a much more sensitive man. We know from the very first pages that Jacob is a troubled man, and he’s probably very brutal, because he treats his bride appallingly on their wedding night.
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It’s set in the 17th century at the time of the English Civil War, and it tells the story of Jacob Cullen, who is a manservant serving in a large house.
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I have read this book about six or seven times, and it gives me that big sweeping romance that some people might feel with Wuthering Heights. Forster, and Hollinghurst writes about that same desire across the classes but he does it with all the pleasure and none of the shame. I read this book not long after I’d read Maurice by E. One of my favourite parts of the book is actually the love affair that happens between Beckwith and Phil, who’s a working-class porter at the Queensberry Hotel. It takes us behind some doors that I don’t think I’ll ever get allowed into. But it’s also a glimpse into the upper class and the privilege that is there. What I love about this book especially is, if we read to travel, this is such a beautiful glimpse into gay life in London before AIDS really became the crisis that we know it to be. The way Hollinghurst writes about male beauty is just stunning. It is a portrait of William Beckwith, who is a young aristocrat who idles and spends his time cruising around 1980s London, looking for men to sleep with. It is rawer and a little more badly behaved than some of his later works, and I love that. I love all of Alan Hollinghurst’s books, but I think chief amongst them might be The Swimming-Pool Library. Here, Douglas shares some of his favourite LGBTQIA+ books, from a classic by James Baldwin to the best in contemporary literary fiction. The 30m mural adorning the side of Barrowland, created by the Glasgow School of Art and Cobolt Collective. But there's dancing, all kinds of dancing', and using a font called Flourish, specifically designed for Shuggie Bain by GSofA students, this mural will remain on the Barrowland for decades to come. Quoting from the novel: 'You'll not remember the city. This iconic building in Glasgow's cultural history is a place of vital importance to the characters and communities in the book. Since its publication, the story of Shuggie and Agnes have captured the hearts and minds of readers the world over, and in celebration of the publication of the paperback edition the Glasgow School of Art and Cobolt Collective, a collective of Glasgow-based mural artists, have created a 30m long mural on the side of the Barrowland.